[minneapolis.mn] booting portfolio...

kidist wosenyeleh

Moving image, creative coding, music, printmaking, and live visual systems.

root@xidist:~$ run visual_memory.sh --sound --screen --hands

Saturated risograph inspired moving image still
risograph supermarketsallad
$ TouchDesigner $ live visuals $ experimental video $ guitar processing $ print texture $ webcam feedback

Artist statement

The laptop is an instrument. The screen is a performance space.

I am a Minneapolis based creative coder, musician, and moving image artist. My work combines guitar, live visual processing, webcam footage, screen recordings, creative coding, digital distortion, and analog printmaking. I build Black digital interiors through saturated color, layered screens, feedback, handmade abstraction, and spiritual noise.

Selected work

./notion_portfolio --selected

Animated water visual from TouchDesigner

[TouchDesigner / stream]

water

A Lake Harriet inspired visual study using water texture, live processing, and performance capture as a soft signal field.

Animated film grain visual study

[TouchDesigner]

FILM GRAIN

A glitchy texture experiment that drifted away from literal film grain and into a heavier study of edge, luminance, and dirty motion.

MediaPipe based visual tracking interface

[MediaPipe / webcam]

finger colorshift

Hand and pose tracking routed into TouchDesigner, exploring the body as a controller for color, feedback, and live composition.

TouchDesigner network layout study

[system study]

layout

Network studies, interface sketches, and repeatable TouchDesigner structures for faster live visual building.

Analog layer mounted

Haystack printmaking / lithography

Through a scholarship supported class at Haystack, I studied introductory printmaking and lithography. I cut paper forms by hand, translated them into printed compositions, and worked through color, layering, abstraction, and handmade image construction.

That analog process feeds the screen work: saturated color, rough edges, texture, distortion, and the tension between a handmade mark and a computed image.